There were no entrants or exists from to the Junior Market TOP 10 list but Palace Amusement more than doubled during the week rising 132 percent and left the list along with Grace Kennedy that rose to $51.50. The two are replaced by NCB Financial and PanJam Investment.
PanJam released 2017 audited financial statements with increased earnings of 29 percent to $4.13 billion, from ongoing operations resulting in earnings per share of $3.93. The group is expected to continue to enjoy increased earnings in 2018.
The main market hit record highs during the week but pulled back as the market move closer to resistance level in a long term channel. It just a matter of time for the break out to take place, regardless the channel points upwards for the market. Profit results for 2018 first quarter, will be important in helping to fuel the break out but with Treasury bill rates falling to 3.16 percent on the 182 days instrument during the past week, an important leg for a rally to come, is in place.
At the close of Friday, the average PE ratio for Junior Market Top stocks ended at 6.3 compared to an average PE for the overall main market is 10 based on 2018 estimated earnings. At the same time the main market ended the week with a PE of 6.7 for the top stocks compared to a market average of close to 12.
IC Insider.com’s TOP 10 stocks now trade at an average discount of 37 percent to the average for the Junior Market Top stocks but it’s a third of what the average PE for the year is likely to be, of 20 times earnings and main market stocks traded at a discount of 45 percent to the market
Palace, Grace out NCB & PanJam in TOP 10
L’Elisir d’Amore this Saturday at Carib 5
South African operatic sensation, Pretty Yende debuts a new role at the Met as Adina, the beautiful and wealthy farm owner who spurs the advances of a besotted village lad, Nemorino, played by American tenor, Matthew Polenzani. Fortunately, Dulcamara a traveling supplier of patent medicines arrives just in time with a ‘love potion’ to help Nemorino win his intended’s heart.
Bartlett Sher’s production of Donizetti’s L’ Elisir D’ Amore is charming, with clever comedic timing, subtly balanced with emotional and heart warming moments. Domingo Hindoyan conducts.
Since its premiere more than a century and a half ago, L’Elisir d’Amore has been among the most consistently popular operatic comedies. Considering the genre, the story’s ending is as much a foregone conclusion as it would be in a romantic comedy film today. The joy is in the journey, and Donizetti created one of his most instantly appealing scores for this ride. The music of Elisir represents the best of the bel canto tradition that reigned in Italian opera in the early 19th century, from funny patter songs to rich ensembles to wrenching melody like the famous tenor aria “Una furtiva lagrima.
Gaetano Donizetti (1797–1848) composed more than 60 operas, plus orchestral and chamber music, in a career abbreviated by mental illness and premature death. Apart from this opera, the ever-popular Lucia di Lammermoor, and Don Pasquale, most of his works disappeared from public view after he died. But critical and popular opinion of his huge opus has grown considerably over the past 50 years. Felice Romani (1788–1865) was the official librettist of Milan’s Teatro alla Scala and worked with many of the most popular Italian composers of the time. He collaborated with Donizetti on several of his best-known operas, including Anna Bolena and Lucrezia Borgia, and provided Vincenzo Bellini with all but three of his librettos.
All the Money in the World
All the Money in the World features billionaire Paul Getty who is judged harshly for not forking up a $17 million-dollar ransom to rescue his kidnapped grandson (Paul Getty III) from Italian thugs.
Not realizing paying up is an open invitation to future exhortation, Michelle Williams (Gail Harris)- mother of Paul Getty III desperately tries to convince her son’s billionaire grandfather to pay the ransom, as her son’s captors become increasingly volatile and brutal. The film is directed by Academy Award® winner Ridley Scott and stars Academy Award® Winners Christopher Plummer and Michelle Williams, Academy Award® nominee Mark Wahlberg and Romain Duris.
The Post is another thrilling drama opening this week at Palace Amusement. It surrounds the unlikely partnership between The Washington Post’s Katharine Graham, the first female publisher of a major American newspaper, and editor Ben Bradlee, as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The script was written by Liz Hannah and Josh Singer, and the film features an acclaimed ensemble cast including multi Academy Award® winners Mary Streep and Tom Hanks, Golden Globe Award® winner Sarah Paulson and Golden Globe Award ®nominee Bob OdenKirk and Bradely Whitford.
Who’s Afraid of Virginia Woolf? at Cineplex
Who’s Afraid of Virginia Woolf? Anyone who believes in the old saying; ‘sticks and stones may break my bones, but words will never hurt me’, is yet to see James Macdonald’s marvelous, gripping and truth-telling revival of National Theatre Live: Edward Albee’s Who’s Afraid of Virginia Woolf?
This high-energy drama encores this Sunday, November 12th, 2017, 11:30 a.m. at Palace Cineplex. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor Nick and his wife Honey to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple is drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
Edward Albee’s Who’s Afraid of Virginia Woolf? is produced by James Macdonald and stars, Academy Award® nominee Imelda Staunton, Game of Thrones actor- Conleth Hill, Luke Treadaway (The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre).